J D Emmanuel / ELECTRONIC MINIMAL MUSIC, 1979 – 1983

The recent rediscovery of J.D. Emmanuel by critics and audience, and his comeback to underground scene from 2010 was crucial to reweave the development of electronic music in the early Eighties. This new publication cast new light on his first activity of composing and performing electronic music during 1979-83, experiments totally unreleased and never before published on vinyl. Certainly seminal minimal works such as Four Organs or Violin Phase by Steve Reich, A Rainbow in Curved Air by Terry Riley as well Cluster, Harmonia or Peter Michael Hamel’s works of the early Seventies had a decisive impact on the Emmanuel’s debut. However, since the beginning he proves to reshape and reformulate the lymph of his sources of inspiration with a consolidated maturity and accurate vision unparalleled. His poetry it’s closely tied to the will to expand consciousness and explore his altered states, but more than a “cosmic courier” he rather appear as “courier of soul and heart” and “a student of me

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Aggiornato il 11/06/2026